You can write to the various companies to learn their requirements.Īlthough most card firms pay around $25 for a studio idea, the rate of remuneration varies. Some publishers read seasonal (holiday) ideas year round … others have a definite schedule. There are studio cards for all occasions: birthdays, friendship (almost anything goes here), get well, anniversary, holiday greetings, etc. Nowadays, only a few companies actually solicit bawdy gags … the rest - if they use such material at all - want it to be subtle and “in good taste.” Originally, the studios were aimed at a somewhat sophisticated audience, meaning that quite often the greetings were rather risque. The best money is in studios (those long, slim cards that pack a humorous hello). (The money’s not that good.) Still, the constant flurry of $10, $15, and $25 checks you’re likely to receive as a part-time card poet can pay the rent (and then some), if you’re able to churn out fresh ideas regularly. I don’t know anyone who’s become rich - or even comfortably well-to-do - as a freelance greeting card writer. Please let me qualify that statement about the “good pay” just a bit.
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